https://youtu.be/nKPGE2p04OU
Saturday, 26 November 2016
Thursday, 17 November 2016
Target audiences
Target audience for crime thrillers
Demographics - Demographics are quantifiable characteristics of a
given population
Psychographics - Personality, values, opinions, attitudes,
interests, and lifestyles of media consumers.
The range of audiences who watch crime films varies dependent
on the type of film it is. For example, more intense and action full crime films,
such as Bad Boys and Snatch appeal typically to a much younger audience. In
comparison, crime films which are less action packed and instead focus more on
a gripping, intellectual storyline would also appeal to an older audience, such
as Get Carter and Hidden. .
However, this is not the case with the thriller genre as thrillers specifically
target a younger audience through use of action and suspense. The typical crime
thriller audience member would be 18-30.
Crime thrillers also have the ability to appeal to both male and female audiences for a variety of reasons. Female audiences would be able to enjoy and appreciate the emotional struggles and typical “damsel in distress” storylines. In contrast, a male audience would favour the presence of action and violence in crime thrillers and also the intensity of criminal behaviour. Crime films are more typically aimed at males but still can appeal to a female audience.
Crime thrillers also have the ability to appeal to various social classes. This is because typical crime thrillers have characters from all classes and they are represented within the productions in different lights. For example, working class people are presented to struggle with money and this is often the reason why they can turn to lives of crime and criminal behaviour. Furthermore, the middle class is often represented by the officers themselves who usually have families that are in some way involved in the story and finally the upper class is represented by those involved in criminal activity that have made large amounts of wealth from the criminal activity, such as drug kingpins. These representations mean that crime thrillers appeal to all classes as they have relatable characters at every level of production.
Monday, 14 November 2016
Zodiac trailer research
https://www.youtube.com/watch?v=bEvnwKFUnI0 - Zodiac trailer
Quick cuts and fades to black – Gradually builds the tempo of the introduction to further signify the suspense of the film. This means that the eventual climax of the trailer will be more shocking to the audience because of a prolonged build up.
Change of pacing – Mid way through the introduction there is a change in things such as the background music and the fades to black change to dissolves to decrease the sinister values of the trailer by not leaving the audience unsure. There is also more focus on the main character of the production, with slightly humorous undertones as well as less fear on people’s faces in close-up shots.
The much earlier made Seven still used a voiceover man whereas Zodiac solely focussed on dialogue and sound effects with background music throughout the intro.
Establishing
shot – Immediately sets the scene for the film by alerting the
audience of the location of the film. However, non-synchronous sounds of police
sirens and the sounds of fireworks being replaced by gunshots immediately build
suspense.
Quick cuts and fades to black – Gradually builds the tempo of the introduction to further signify the suspense of the film. This means that the eventual climax of the trailer will be more shocking to the audience because of a prolonged build up.
Slow motion –
Addresses the presence of a weapon and shows that the woman who is in the car
has been shot dead as well as giving the audience enough time to see there is a
silencer attached to the weapon, implying the Zodiac is murdering people in a
silent fashion and will not be caught. The shot also shows a small glimpse of
the Zodiac’s face so audience members begin to speculate who the killer could
be, further raising the suspense.
Change of pacing – Mid way through the introduction there is a change in things such as the background music and the fades to black change to dissolves to decrease the sinister values of the trailer by not leaving the audience unsure. There is also more focus on the main character of the production, with slightly humorous undertones as well as less fear on people’s faces in close-up shots.
Dialogue – There is
no presence of a voiceover man in the trailer because it is a much more modern
work. This means the emphasis on dialogue and character performance is greatly
increased as well as non-diegetic sounds playing a key role in setting the tone
for the film. The presence of edgy music as well as intense character
performance promote the insecurities of the police trying to catch the killer
while the light-hearted music and laid back character performance change the
tone of the film.
There are many similarities between the introductions of
Seven and Zodiac, such as changes of pacing. Despite both having this change
they are used very differently in each of the two films. The change in the
Seven is used to place greater importance on the action of the introduction and
draw attention away from the two main characters focussed on in the first part
of the sequence. Zodiac does the opposite, where the attention is drawn away
from the action and placed on the endeavours of the main character.
Furthermore, there are also lots of differences in the two pieces. Zodiac’s
establishing shot is of the skyline and shows the audience where the film is
based whereas Seven does not show where the film is based and makes the
sequence more edgy initially. Finally, there is also a clear change in
structure of the sequences because of the time gap in when they were made.
The much earlier made Seven still used a voiceover man whereas Zodiac solely focussed on dialogue and sound effects with background music throughout the intro.
Seven Trailer Research
Flash cuts – Seven uses white flashes as cuts that happen quickly in order to quickly change between shots of an open window, a container with a hidden window and a body. This is done between the 7th and 10th seconds of the production to give an audience an insight into the mystery of the film by leaving a lot of questions unanswered and the quickness of the cuts means the course of the film is still unknown.
Close ups – There is a large number of close ups used in the trailer of Seven and this helps to highlight the expression of the characters. A key example is the eye level close up of Morgan Freeman, where he shines a torch at the camera. This emphasises that they are desperately looking for the killer and also shows his face in a very confused and uncomfortable manner, potentially because he is fearful for his own life.Establishing shots – There is a lack of establishing shots in the opening sequence to further promote the elements of questioning the introduction. Even the location of the film is left unknown in the early stages of the trailer.
Voiceover/Narrative – It is clear that the production was made in 1997 because the outdated convention of a voiceover man is present. The voiceover man has a very deep voice and his tone presents an edgy nature to the trailer. Furthermore, the voiceover presents a use of binary oppositions between the two officers through “looking for a way in” vs “looking for a way out” showing the contrast in positions of the two main characters, adding another conflict into the production.
Changes of pacing – The trailer presents the dynamics of the introduction with a change in pacing part way through. There is a shift from a large emphasis on dialogue and character information in the first half, changing to a large amount of action and the presence of guns and violence to show the intense side of the story.
Cast names and Title – The title and cast names are presented through the use of the voiceover man. This is a demonstration of how star power is used in order to attract people to watch the production who would want to see the likes of Morgan Freeman. Furthermore, leaving the title to the end of the sequence keeps people curious what the production is about and makes them more likely to remember the production’s name.Sunday, 13 November 2016
The Girl on the Train trailer research
https://www.youtube.com/watch?v=KkoEE1i0CX8 - The Girl on the Train trailer
Cuts to text – Breaks from the action to
inform the audience that the scene they are watching is in the past tense, this
symbolises that the events that took place will have a big impact on the narrative
and draws attention to what is happening to ensure there is no confusion.
Slow motion/small jump cuts – Introduce the
lead woman character who witnessed the disappearance of the woman. Makes her a
key part of the production and the change in tone of music to a slower and more
dark style further presents the disappearance to be of key importance in the
narrative.
Changes of pacing – Like the changes I found in other thrillers, including Seven and Zodiac, the narrative changes pace in the middle of the introduction. This introduction changes pace like Zodiac does to place emphasis on the main character, in this case presenting her reliance on alcohol and how this could change the reliance of what she is saying.
The Girl on
the Train
Background music – Light piano music is
atypical to the dark presentation of the film. This helps to
promote confusion on behalf of the audience because they are unsure of what
theme the film is based on until the woman’s disappearance and the introduction
of the new character.
Cuts to text – Breaks from the action to
inform the audience that the scene they are watching is in the past tense, this
symbolises that the events that took place will have a big impact on the narrative
and draws attention to what is happening to ensure there is no confusion.
Gaps of silence – Presents a sense of
unknowing throughout the entirety of the narrative as the audience is left in
suspense and can consider what is going on. This leads to increasing curiosity
and highlights the lack of information given by the trailer.
Slow motion/small jump cuts – Introduce the
lead woman character who witnessed the disappearance of the woman. Makes her a
key part of the production and the change in tone of music to a slower and more
dark style further presents the disappearance to be of key importance in the
narrative.
Random cuts – The production cuts to random,
unexplained scenes which lead to further questions being asked by the audience
who are unsure what may have happened in the film. There is also the question
of whether the scenes are from the past or present because there was no flash
forward from the original cuts of “one week ago”.
Changes of pacing – Like the changes I found in other thrillers, including Seven and Zodiac, the narrative changes pace in the middle of the introduction. This introduction changes pace like Zodiac does to place emphasis on the main character, in this case presenting her reliance on alcohol and how this could change the reliance of what she is saying.
Saturday, 12 November 2016
Film & production company names - Brainstorm
Film name
brainstorm
Lust
Unhinged
Kidnap
Love me
Animosity of love
Infatuation
Darkness of love
Amare
Amavi
The hostage
Blackstar
Blackness
Darkstar
Darkness
Nightfall
Duskiness
Evening
Eventide
Gloom
Nightfall
Twilight
Dusk to dawn
Nightshade
Production company names
Midnightstar
Blackstar
Blackness
Darkstar
Darkness
Nightfall
Evening
Eventide
Gloom
Nightfall
Nighttime
ObscurityTwilight
Darkness
Hoursstar
Dawn
Hour
Dead of night
DimstarHour
Dead of night
Dusk to dawn
Nightshade
Friday, 11 November 2016
Thriller research - Mood Board
When researching film titles, we designed a brief mood board to analyse a vast range of thriller films and make comparisons of conventions. For example, the large presence of red in the film covers is something that I will use in both my magazine poster and front cover to appropriately show the thriller genre. Furthermore, the large emphasis on the main image and lack of text is something i will use in my film poster, ensuring the main image maintains focus and is centre of attention.
Thriller - Initial ideas
Thriller – A play or film with an exciting plot which promotes
fear, typically involving crime or espionage.
Initial ideas:
Low key lighting
Tapping into fears
Rollercoaster of emotions
Fast editing
Mystery
Pacing changes
Action
Justice
Loud dialogue
`
What makes us scared?
Heights
Blood
Strangers
Night
Enclosed spaces
Criminals
Weapons
Violence
Darkness
Death
Weapons
Loss of control
Sub genres:
Comedy
Disaster
Psychological
Chiller
Espionage
Political
Romantic
Survival
Crime
Thursday, 10 November 2016
Own film poster - AS
Own film
poster
Main image -
This is main image is larger than in my magazine cover and takes centre
stage. This is because the sole purpose of the poster is to advertise my film
so the main actor is the key part of the poster
Strap line
- The name of my film is key in demonstrating what the film is
on the magazine so is placed in front of the main image. It is a bigger part
than in my magazine cover so is bigger and more outstanding.
Subheadings
- These are main parts of the poster that tease the audience
about what they can expect from the film and begin to build the main character
as the hero
Character
names - Located in a small band at the top of the poster, informs
the audience of who is in the film and can also attract the audience, as they
may want to watch the film because of who acts in it
Background
- The use of a dark grey gradient background was used in my magazine poster
because it allows the main image to clearly stand out alongside the strapline
and subheadings, making it eye-catching
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